![]() ![]() ![]() On October 26, 2011, Ladd was among various staffers fired from KLOS following the acquisition of station owner Citadel Broadcasting by Cumulus Media. Beginning March 10, 2008, Ladd allowed his show to be streamed on KLOS's web site. Most recently, Ladd has used his MySpace and Facebook pages to interact with his listeners, who he refers to as "The Tribe." He often takes requests in the comments section, and has used the site as a source to become familiar with his listeners and promote free form radio. In addition, he has produced, written and narrated a number of nationally syndicated programs, including interviews, concert specials and album premieres. KLOS renewed his contract in January 2007. His show routinely led its time slot in Arbitron ratings. Ladd and his free-form rock music returned to KLOS in 1997 and aired until OctoMonday thru Thursday from 10PM to 2AM (PDT), and on Sunday from 9PM to Midnight. In July 1995, Ladd and the entire KLSX staff were summarily fired as the station abruptly changed its format to talk radio. Jackson, were also among those identified by their actual "air names". David Perry, Ace Young, Jack Snyder, Damion, and the late personalities B. The names of many people and radio stations Ladd encountered during that two-decade period were swapped for pseudonyms however, Raechel Donahue has said that she insisted Ladd use her real name and that of her late husband Tom Donahue in the book. Martin's Press), based on his radio career and the rise and fall of freeform rock radio in LA, from the genesis of freeform on the West Coast through the demise of KMET in 1987. In 1991 Ladd released a semi-autobiographical book titled Radio Waves: Life And Revolution On The FM Dial (St. In the late 1980s, Ladd worked at KMPC-FM, where he helped to shape its "Full Spectrum Rock" blend of classic and modern rock, and was enthusiastic about its rebranding as KEDG "the Edge" in March 1989, but was laid off when the station abruptly abandoned its rock format two months later. Ladd's work has also been featured in major motion pictures such as Tequila Sunrise, Rush, She's Out of Control, and Defendor starring Woody Harrelson.įor several years, Ladd worked only on-and-off on the radio because he refused to follow a playlist, as most station owners demanded. Ladd also played an all-night DJ in Cameron Crowe's 1989 film Say Anything. Ladd joined Waters on the tour that followed, and appeared in the three music videos for the album. In 1987, Ladd appeared on Pink Floyd bassist Roger Waters' second solo album Radio K.A.O.S., portraying a fictional disk jockey named DJ Jim who talks to the album's protagonist, a handicapped boy named Billy. Jumping station to station, and side projects In 1974 he moved to KMET, known to its legions of listeners as "The Mighty Met", where he would remain for most of the next 13 years (returning to KLOS in 1984, but going back to KMET again, 2 months before they changed format), while also hosting and producing Innerview, an hour-long nationally syndicated interview program that aired during the same period.Īfter what many listeners and people in the industry perceived as a long steady decline in the station's output, attributed by most accounts to the station's decision to bring in consultant Lee Abrams and the strict "album-oriented rock" formatting he favored, KMET management shocked southern California and all of radio by abruptly dumping rock music, the call letters, and the entire air staff on February 14, 1987, becoming KTWV ("The Wave"), featuring a new age format with no DJs at all. After two years there, he moved to Los Angeles station KLOS. ![]() Ladd began his career in 1969 at KNAC, a small Long Beach rock station. 1.3 Free-form show on KLOS and the internetīiography Early years and KMET.1.2 Jumping station to station, and side projects. ![]()
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